Tuesday, May 26, 2020

John Duffey - Bluegrass Mandolinist & Singer

John Duffey was known for his high-lonesome tenor, brilliantly innovative mandolin playing, and the important part he played in establishing the Seldom Scene on the highest levels of bluegrass stardom and accomplishment. He has also been credited, particularly amongst his fellow musicians, as one of the great popularizers and missionaries of bluegrass. His choice of material and refined mode of presentation helped make this basically rural music not only acceptable, but highly desirable among the urban masses. One can only presume that if Duffey had not succumbed to a heart attack in the late '90s he would have been tremendously pleased with yet another resurgence in the music's popularity that seemed to come along with the new millennium.

A Washington native, Duffey started the Seldom Scene in 1971 after about a decade of playing with Charlie Waller & the Country Gentlemen, a bluegrass group from the same general region. The mandolinist was also a musical instrument repairman, a profession that managed to provide him with an alternative to being on the road all of the time, something with which he apparently had very little patience. One reason to form the new band was the possibility for it to work regularly without straying too far from the Washington, D.C./Virginia/Maryland axis. Certainly there would be gigs enough within a two- or three-hour driving ratio, especially with bluegrass coming off a peak in new popularity from the late '60s. He enlisted only other players whose demanding day jobs would prevent them from whining about wanting to go on long road trips. These original players were physician John Starling, mathematician Ben Eldridge, graphic artist Mike Auldridge, and National Geographic mapmaker Tom Gray. Also known as mandolinist John Duffey, banjo player Ben Eldridge, guitarist John Starling, bassist Tom Gray, and Dobro player Mike Auldridge. But the part-time nature of each of these players' musical focus in the early '70s would have probably dictated that they would have listed their day jobs first. The group was even called the Seldom Scene as a joke about the fact that they wouldn't be seen much on-stage. What happened was the opposite. By staying right out on the edge in an age of great musical adventurism among the audience, the group became much in demand, as well as producing some of the best-selling progressive bluegrass records in the history of the genre. Another part of Duffey's success as a member of co-operative bands was his belief that democracy worked in music ensembles, regardless of whether it seemed to be working in society. The mandolinist's philosophy seems to have been borne through his loyal membership to just two different bands over the 40 years of his career. He grew up in a musical family, although what he was exposed to at first was about the farthest one could get from bluegrass. His father was a professional singer who at times worked for the Metropolitan Opera. As a young man, Duffey became attracted to the music of Appalachian migrants in the area. He was not particularly concerned that amongst the classical or so-called legitimate music crowd such sounds had very little status. Despite his own lack of enthusiasm for so-called hillbilly music, Duffey senior realized that his son seemed to have inherited an exceptional singing voice, with a range of about four octaves. His father went ahead and taught him the voice and breathing techniques of a classical opera singer. Duffey continued his love affair with Appalachian music, but since he realized he wasn't in any way a native of that area, he focused on expanding the concept of the music to include people like him. He created new repertoire from modern and ancient sources and developed innovative vocal harmonies. What he did was definitely pleasing to the large new bluegrass audiences, although many purists found the new developments and outlooks being expressed in the music revolting. The controversy became part of the reason crowds packed several long weekly house band stints the group maintained in the D.C. area. Members of Congress in suits would be rubbing noses with college students, as well as disgruntled members of the bluegrass "walking dead," (i.e., those who wanted everything to be done the way Bill Monroe done done it).

Duffey's professional career began with a car crash in 1957 that injured mandolinist Buzz Busby. The banjo player in the same band as Busby, Bill Emerson put out a bee that he was looking for a substitute mandolinist so the band wouldn't have to cancel its schedule of club dates. In his search for potential players, Emerson found both young guitarist Waller and Duffey, as well. It was the mandolinist who came up with a name for the new group. He pointed out that many bluegrass bands at this time were coming up with names like the Mountain Boys. "We're not mountain boys," he said. "We're gentlemen." Duffey wound up staying with the Country Gentlemen for about a decade, as the group rode the new wave of folk music thrill-seeking. Many of the innovations of the Seldom Scene are foreshadowed by this earlier group, such as a diverse selection of material that could include gospel, jazz, and folk influences. By the late '60s, Duffey was working as an instrument repairman at an Arlington music store when the Seldom Scene was formed. In addition to much research, collecting, and arranging old songs and poems for the group, Duffey also composed his own music. Some of his best pieces include "The Traveler," which was dedicated to his wife, and the eerie "Victim to the Tomb."

As this group became more and more popular, Duffey's imposing stage personality came more and more to the front. Known for being able to shut the lid on just about any heckler, Duffey has been described as one of the most riotous personas in bluegrass, famous for his politically incorrect jokes and onstage shenanigans. Although the pre-bluegrass genre of old-time music was known for crazy stage shows and broad humor, bluegrass by this time had developed into a style most often represented visually by bandmembers who stood straight as a board, their faces expressionless no matter what they were picking. And the new comic approach presented by Duffey was much more sophisticated than the laugh-grabbing days of blackened teeth and hillbilly yuck yucks.

Duffey, along with former boss Waller and the other original Country Gentlemen, were inducted into the International Bluegrass Music Associations' Hall of Fame. The Seldom Scene continued to be active up to the end, playing in Englewood, New Jersey, just days before Duffey's death. They were also working on arrangements for a new recording, including an adaptation of the Delta blues number "Rollin' and Tumblin'," for a progressive bluegrass band, of course. The posthumous Always in Style project was released under Duffey's name on the Sugar Hill label. Although the best recorded legacy of the mandolinist's work are on the recordings of the groups he was in, he also pops up here and there as a session picker, including on a Linda Ronstadt album.

Celtic Music Group - Thursdays at 7pm

The Celtic Music group meets Thursdays at 7pm.  The group has compiled six "sets" of material, usually traditional celtic dance music (jigs, reels, hornpipes, polkas) and song.  Prior to the coronavirus pandemic, the group performed each set at a local venue.  Until we can play in person again, we meet online using a Google platform called "Meet".  Each member of the group suggests a jig, reel, hornpipe, polka, slip jig and O'Carolan tune.  The group votes on the tunes they want to learn and pick the tunes out of those voted highest.  

We are compiling tunes now for the 7th set.  I've asked students to suggest their tunes in the #celticgroup channel on Slack.com  If you would like to join the group, email info@sweetmusicstudio.net to get an invitation link.

Wednesday, May 6, 2020

How Online Group Classes Work

Online Group Classes are announced in the appropriate Slack channel (if you're not on the Sweet Music Slack, you need to be registered for weekly private lessons to receive an invitation) usually an hour or so prior to the start of the group (7pm).  Prior to clicking on the invitation link, make sure you have optimized your connection.  You will need a good separate microphone, quality headphones or speakers, a metronome and a LAN connection.  Once you are set up for a great connection, click the invitation link, then the green (or teal) "Join" button.  You will be using an app called Google Meet.  For those of you who were online in the early 20's, you might remember similar products offered under the Google brand such as Wave, + and Hangouts.  Meet is Google's alternative to the popular Chinese-owned product Zoom.  Check it out here.  If you're familiar with Zoom, then you will know how to use Meet.  There are some significant differences.  Meet doesn't steal your personal information, doesn't sell it on the black market and won't install spyware on your computer.  I personally think the sound quality is also better. 

LAN Connection
Due to the slight delay or "lag" in transmission of image and sound over the internet, you can optimize your connection by making sure that you're directly connected to your internet modem with a LAN cable.  If you don't have one, you can buy one from Walmart or Amazon.  They are not expensive.  Measure the distance from your computer to the modem and then give yourself an extra six feet (just in case).  A direct connection can be 10 times faster than a wifi connection, which will decrease any lag you might be experiencing over Wifi.  If you would like help setting up your computer and modem, let me know!

Good Separate Microphone
All laptops and webcams come with some kind of an internal microphone, depending on the laptop/webcam brand, the quality can range from ok to not bad, but never good or very good.  To optimize your sound input, you will need a good microphone.  I recommend the "Blue" microphone from Snowball, but there are others.  Read the reviews on Consumer Reports' website and pick something you like.  Make sure it's a USB connection because some microphones plug into a separate mic jack, and some are bluetooth. 

Quality Headphones or Speakers
All laptops come with speakers.  Some desktop pc's also come with them.  I recommend the Jeecoo USB Pro Gaming Headset, but there are others.  Make sure you get a USB connection, and cups that go over the ears.  You can also get a set of quality external speakers with subwoofer.  Harmon Kardon is a good brand.

There are decent apps offered for iPhone and Android.  You can also buy a standalone version that sits on your desk.  I like the mechanical ones offered by Gleam so I can take it outside or on the porch where there's no power. 

Online Group Classes start at 7pm and go for about an hour.  They may go slightly over depending on a variety of factors, but plan for an hour minimum.

During the class, each person will take a turn playing their part for a predetermined length of time.  For example, in the Celtic class, each person will play the tune once through.  In the Classical Mandolin class, each person will play approximately 20 measures.  While you are waiting your turn, you will have your microphone muted so that you can play along with the person who is playing at that time.  They, in turn, will play along with you.  Due to the slight delay/lag, there really is no other way to do it.  But this way, members have an opportunity to socialize with others, to "play" music with others and to work with a metronome, which is a good skill to have.  (When we finally can return to some sense of normalcy after the COVID19 pandemic has subsided, we will be that much more precise).

Les Poules huppées

CRESTED HENS, THE (Les Poules huppées). French, Bourrée à 3 temps (3/8 time). E Dorian. Standard tuning (fiddle). Composed in 1983 by French...